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| "The Night Watch" will be the centrepiece of an exhibition marking the 350th anniversary of Rembrandt's death starting in February 2019 |
Like watching paint dry? Soon art lovers will be able to watch one of the world's most famous paintings being restored live and online.
Rembrandt's
masterpiece "The Night Watch" will undergo a years-long,
multi-million-euro overhaul at Amsterdam's Rijksmuseum under the full gaze of
the public.
Restorers
will work in a "state of the art clear glass chamber" so visitors can
see the 17th century classic receive its makeover -- a process that normally
happens in secret.
The unique
project starting in July 2019 is the biggest in the Rijksmuseum's history,
General Director Taco Dibbits said on Tuesday.
"The
Night Watch by Rembrandt is one of the most famous paintings in the world and
we feel we have to preserve it for future generations," Dibbits told AFP.
"Over
two million people a year come to see The Night Watch, it's a painting that
everybody loves, and we feel that the world has the right to see what we will
do with it."
The last
major restoration work was carried out 40 years ago after a mentally ill man
slashed it with a knife.
Since then
experts have noticed a white haze appear on some parts, especially in the area
around the knife damage, where it is bleaching out the figure of a small dog.
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The
restoration will be open to the two million people a year who come to
the
gallery in Amsterdam
|
'Share
this moment'
Rembrandt
Van Rijn was commissioned in 1642 by the mayor and leader of the civic guard of
Amsterdam, Frans Banninck Cocq, to paint the picture of the officers and other
members of the militia.
The
groundbreaking picture is the first of its kind to show such a group in motion,
rather than in static poses, and features the interplay of light and shadow
that the Dutch master is famed for.
The Night
Watch -- also remarkable for is huge three metre by four metre size -- is now
the Rijksmuseum's most famed exhibit, taking pride of place in its
"Gallery of Honour".
Experts
will examine the painting using high-resolution photography and computer
analysis of every layer including varnish, paint and canvas before deciding on
the best restoration techniques.
The work
will then take place in a glass case designed by French architect Jean-Michel
Wilmotte, who was behind revamps of both the Rijksmuseum and the Louvre gallery
in Paris.
It will
also be livestreamed "so everyone, wherever they are, will be able to
follow the process online", said Dibbits.
"Conservation is usually done behind closed doors, but this is such an important painting, we feel that the public who owns it has the right to see it and we want to share this very important moment."
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Experts
have noticed a white haze appear on parts of the painting
|
"Conservation is usually done behind closed doors, but this is such an important painting, we feel that the public who owns it has the right to see it and we want to share this very important moment."
Knife and
acid attacks
Over the
last three centuries the painting has endured vandalism, restoration attempts
and an escape from the Nazis.
In the
1700s large chunks were cut from each side during a move, followed by several
bouts of work on the varnish that darkened the picture and helped give it its
name.
In 1911 a
man stabbed it with a knife, then in September 1939 the painting was evacuated
from the Rijksmuseum as Nazi Germany closed in and hidden in a cave. After the
war in 1945 it needed major restoration.
But the
painting's sufferings were not over: the 1975 attack saw a disturbed man slash
the painting 12 times, with traces still visible today.
The museum
decided to carry out a major restoration then, only for a man to spray acid on
it in 1990.
Recently,
however, new problems emerged.
"We noticed that over the past years there's a white glare that appeared on the bottom part of the painting. We want to be able to understand what that is," said Dibbits.
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Experts
have noticed a white haze appear on parts of the painting
|
"We noticed that over the past years there's a white glare that appeared on the bottom part of the painting. We want to be able to understand what that is," said Dibbits.
Restoring
"The Night Watch" will not be cheap, or quick.
"That
will cost several millions," said Dibbits, adding that the museum would
also be looking for private funding.
The Night
Watch will be the centrepiece of an exhibition marking the 350th anniversary of
Rembrandt's death starting in February 2019, before restoration work begins in
full in July.
"As we
say in Dutch, conserving paintings is a monk's job," said Dibbits.
"It takes a lot of patience, so it might be several years."




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